Julian and Matt start getting into the swing of thigs as they tackle the latest in film and TV news, with the hot story being about the turmoil surrounding the new Bond film. Fortunately, 'Goldeneye' turns 30, providing a positive 007 topic to dig into in an effort to balance things out. A new 'The Mummy' starring Brendan Fraser is in the works with Rachel Weis also set to return. To Matt's chagrin, more 'Jurassic World' is on the way as well with the 5th film in the franchise in development with Gareth Edwards looking to return to direct (say what you will but 'Jurassic World: Rebirth' was pretty fun). Lastly, the guys dive into what they've been watching, including 'Predator: Badlands', 'One Battle After Another', 'Pluribus' and for some reason, 'Dexter'. All that and so much more on this week's Tower of Babble Podcast!
Before Matt officially joined the show as a co-host he was invited on as guest to talk about one of his favourite movies of all time, ‘Swingers’. Now returning in an official capacity to the ToB Film Club, he brings with him another film from his top-3, another comedy, ‘Kingpin’. A Farrelly brothers film that followed up their smash hit breakout, ‘Dumb and Dumber’, and you can see the through lines. Like ‘Dumb and Dumber’ we follow two guys who are down on their luck as they head out on the road where chaos and hilarity ensue. Unfortunately it wasn’t the hit they hoped despite a killer cast, including legends Bill Murray, Randy Quaid and Woody Harrelson and as a result it didn't leave as large of a cultural footprint as some of the other Farrelly brothers films from this era. It's been nearly 30 years so now seems as good a time as any to revisit this sleeper and see what everyone was missing back then.
After an extended hiatus, ToB returns with a fresh voice on the second chair. Julian is joined by long-time friend of the show, Matt Tworek. We spend this first episode of the "new" ToB getting to know him and setting up what else is to come.
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.
The term often used to describe the 1998 Alex Proyas film, 'Dark City' is "Proto-Matrix" given the many similarities between the two movies. Fair or not, they do have a lot in common but I think the comparison does a disservice to what is still a very clever and well made genre-film that largely holds up today (minus some questionable early CG effects). The 4K re-release gives it a fresh coat of paint, looking extremely sharp on modern televisions, accentuating the mostly dark and moody imagery of this sci-fi film noir, and given it's title this is all very fitting. Alex Proyas has some bid ideas here; what is the human soul? Are we the sum of our memories? Can memories be distilled into chemistry? Is love transcendent? Many of these themes are explored with depth, with answers to many of the films mysteries being laid bare in mostly satisfying way. Performances are strong, with everyone seemingly understanding the assignment, though there isn't much for the female characters to do here. Which is unfortunate as what we do get from Jennifer Connelly is intriguing, if lacking depth. On the whole, despite being pretty weird, this is still a very fun movie, if a bit silly at times, that was unfortunately overshadowed by the phenomenon that was 'The Matrix' dropping the following year.